A visual journal of public life — ritual, persona and memory in New York and elsewhere.
More Visual Studies
All visual studies ›
Hauntology
Pairs
The Father
The Lover
Earworm
Nailshop
Hands
Hair
Puer Aeternus
The Proselytizer
Oral Intervention
Intimate Intervention
A Lungful of Air
Floral Footpath
Walking Wounded
Writing
All essays
How Photography Became Art—and Who Got to Decide
The camera made authorship difficult to see. Courts, critics and museums responded by treating pose, timing, printing and selection as evidence of an artist. Their answer admitted photography into art while leaving most ordinary photographs outside the story.
Mary Ellen Mark: The Ethics of Seeing
Mary Ellen Mark built her documentary practice through encounters that were embedded, revisited or carefully staged. Her subjects look back, pose, speak and change, but intimacy does not erase the unequal power to select, publish and leave.
The City as Living Archive
A city does not become an archive because it remembers everything. It becomes one through the fragments photographers select, caption, sequence and return to, each preserving a real encounter without exhausting its meaning.
Adam Inglis is an Australian visual artist based in New York City, working across street photography and documentary. He approaches urban space as both social theatre and psychological landscape, where behaviour, cultural codes and unconscious dynamics intersect.