Pairs
Visual doubling as a lens on identity and similarity.
Pairs began with the double take: two figures in one frame whose posture, clothing, gesture or proximity begins to rhyme. Sometimes they know each other. Sometimes they do not. The photograph holds the correspondence either way.
The work is not a catalogue of sameness. Each pairing changes how both figures are read, making small differences more visible through adjacency. Resemblance appears as something the street produces repeatedly, often without the subjects’ awareness.
Across cities and years, the series moves between accident and structure. It does not decide whether likeness signals affinity or coincidence. It stays with the doubling itself and the way a second figure unsettles the idea of a singular, self-contained identity.
