📑
Critical engagement and reflection on photography and photographic practice.

Reality was never the point. What we actually crave is credibility — the illusion that the world can still be known if we frame it just right.

Photography was born not in studios of painters but in laboratories. The medium’s first practitioners were chemists, astronomers, inventors, and entrepreneurs, tinkering with glass plates and light-sensitive chemicals.

Mary Ellen Mark became the cartographer of intimacy within instability. Her photographs are less dispatches than allegories, balancing technical precision with an unflinching moral gaze.

Neutrality is a myth. Every photograph is already a construction. It’s a comforting illusion to think otherwise.

How mass tourism and social media create Baudrillard’s hyperreality.

Cindy Sherman’s groundbreaking self-portraits expose identity as a constructed performance.

Sohier‘s photography represents a masterful exploration of human relationships, identity, and social dynamics in American life.

Robert Adams’ photography stands as one of the most significant documentations of environmental change in the American West.

Henri Cartier-Bresson’s photography captures life’s fleeting moments, revealing depth in everyday scenes.