Pairs began in New York and has continued across Melbourne, Tokyo, and Los Angeles through 2025. What started as a recurring instinct — the arrested glance, the double take — accumulated into a study of what happens when two figures in the same frame begin to rhyme.

The photographer doesn’t arrange it. What the lens finds instead is a correspondence already present — in posture, bearing, proximity — that the subjects themselves may be entirely unaware of. Sometimes they know each other. Sometimes they don’t. The frame doesn’t care either way.

What repetition reveals here is structure. Resemblance turns out to be in constant circulation in public space — operating at the level of dress, bearing, gesture, proximity. Pairs doesn’t resolve whether likeness is accident or affinity. It argues that the distinction may matter less than the doubling itself, which the street produces endlessly and the eye learns to find.